War with Winter
War with winter. Are you ready? The air is freezing cold and the ice of the night is biting at your nose. Despite the warmest of warm clothes you have on, the wind just blows through you with a torrent of discomfort and chill. You walk and you walk but your legs are numb with cold and the blood moves so much slower causing you to be almost paralyzed by the weather. Can you make it home you wonder? Why can’t you feel your fingers or toes? You know you have to so you force yourself to stop thinking about the pain the outdoors is causing you to endure so you take one look at your final destination in the distance, grit your teeth, and force march your way back home. This is war.
You just won your first battle…but will you win the war?
About this Piece
This piece was designed with three layers and a glow layer. There was a pencil layer but it doesn’t count since it was deleted very quickly. I used pencil layers to lay out the composition and then I draw almost exclusively with the G-Pen and some others. Depending on the complexity of the design, I will tend to use more pencil and build off of it. I consider myself a Bob Ross of Clip Studio Paint. I like to have a lot of “happy accidents” when I create. I have learned so much about this software creating this way. I am sure Bob, who was my first artistic influencer when I was child, would agree…but I digress.
I made sure to use a 600 dpi layer when I did my final inks for this piece. My goal was to have each element stand by itself and I wanted to make sure that I didn’t leave any unsightly spaces. This is a bad habit of mine but I am getting better about that. Why is this important you ask? Well, when you flat your colors in you will find that color starts to go wherever it wants to and you start to lose control of where your color is going. It is quite frustrating and can be a pain in the butt to go back and fix the layer to close all of the gaps.
I set my inks up as a reference layer and I was complete in no time filling in the colors. Snow scenes don’t usually have a lot of color in them other than whatever else is in the snow with them so no a whole lot of time spent on coloring. Because I took the time to clean my inks, I was able to bypass the earlier problem that I mentioned.
Coloring and Animation
Colors finished and time to go to highlights. I copied my flats layer and dragged it down below my line art. I locked the flat layer so that I didn’t accidentally select it. I set my first flat layer as a reference layer and then went it to highlight my new flat layer. I also used the fix pixel option so that I didn’t dribble into my background….no dribble is not a technical term.
The very last step in this process was to create some animation cells. What? Did I say animations? Why yes I did. This was the fun part. I love bringing my designs to life. I added 24 cells and then added some magical shimmers and some snowy rain. I think it gave the piece some feeling of movement…well it is animation after all.
Below is the final animated design. I think he is a little foreboding if you ask me. Those beady charcoal eyes will just stare right through you if you let them.
If you enjoyed this tutorial, maybe you’ll like the one I did during the fall. I also did an interest autumn piece earlier this year as well. If you liked this, my latest book discusses all of the pieces from 2017 and how I designed them.
I hope you enjoyed this piece. Please let me know what you think! Your comments are important to me.
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