Pilgrim in the Woods visiting a Thanksgiving Dinner near you.

pilgrim

 

Pilgrim in the woods is visiting a Thanksgiving dinner near you. Halloween is over but are all the spooks really gone? The ghosts aren’t screeching and the werewolves aren’t yelping but the woods is not empty of danger.

The Pilgrim

How is it this pilgrim is here and what does he want? It’s been many long years since the Puritans first came to America and shared the first Thanksgiving. Was someone left behind or is this would be wanderer plagued with unfinished business? Time will tell when the truth is finally uncovered. I could write horror stories all year round. My goal this year is to come up with a horror idea that ties in with every major holiday. I don’t know if I will ever write a full story or not but ideas are where more ideas come from. Let me know if you have any special requests out there.

About this Design

I hope you are all enjoying my latest design. Please let me know what you think by commenting on this post or dropping a note through a form.

I used 13 different layers to design this scene. I didn’t start with a pencil sketch. In fact, I clicked on the oil paint tool and went right to work painting out the scene. The scene background was painted with the oil paint flat brush tool. The digital oils provided a nice blending affect to build the background just like playing with Play dough. I alternated shades and used the blending tool as well to get the lighting effect I wanted.

Tips and Tricks

Below are some screenshots of layers that I used. The first one is a 33% opacity layer that I drew the trees on in the distance along with some shrubs. I used a very light brown within the pallet that I was working with. This effect created some of the white noise that comes with designing wooded areas. A G-Pent was all I needed to design the trees. A darker bleed tool brush was used for the shrubs. I like to keep things murky and then pull the details out.

Background

background

 

This next section is of just the trees themselves. See how they are on their own layer? I can manipulate the depth of the piece easier this way and control the highlights and shadows without creating digital mud. Using the selection tool helps to keep the overspray from going out of control. I still have a little. Through color discipline practice, it becomes easier to paint in this fashion. The airbrush highlight and shadow tools create nice textures on the tree. I selected where the light was coming from and then I just stayed consistent until I got the trees completed. Additional texture was created by using a darker pencil to enhance the bark.

Foreground Trees

 

As I go over each part of the tree, I can slowly pull out the natural texture of the tree along with other minor details such as the roots and growth defects in the tree that make it look more interesting.

I used the ink pen tool to design the Pilgrim and then I sketched out lightly what I wanted and then filled it in. I already knew that I was going to use a silhouette so I didn’t worry about every detail with the character.  Extra grass created the mired affect. The woodlands known to be wet.

The Pilgrim Design

 

I used the polygon line tool to detail the parts of his outfit that I felt viewers would need to see to understand he is a pilgrim. I used Google to find a some good ideas for what I wanted the pilgrim to look like. Again, not a lot of serious detail required. Using my G-Pen with white pigment, I colored in some wrinkles and added some buttons. If I did my job well enough, you can tell that it’s a pilgrim.

Some additional details I added were the sun beams shining through. The line tool is awesome to get this detail. I changed the opacity on the beams so they look more transparent and played around with the color. True yellow just wasn’t covering it.

I designed the bridge with just blocks of grey matter that I blended together. I used references for this too because I just couldn’t picture the bridge the way I wanted in my head alone.

Summary

That is all for tonight. If I left some things out that you may want to know more of, please ask. I am always happy to help everyone out.  Also check out my book. You can find it here. Amazon Prime holders can get it for free. It is available in hard copy and E-book format. The book has a lot of these types of tutorials designed to help you come up with design ideas.

 

The Halloween Tree

The Halloween Tree

Halloween Spirit

Happy Halloween from J HUNT GRAPHIX.  The air is cold and the sky is dimly lit. The colors of orange and yellow dominate the night as they permeate from lit pumpkins and harvest lights. There is a minor wind blowing across your shoulder. It is just enough to make you think a ghost is notifying you of its presence. There are just enough clues to let you know that Summer is gone and won’t be returning anytime soon.

Enjoy the Night

As you walk from house to house this Halloween take in all of the holiday aura. As you see the day wane into dark blues and blacks and the horizon fade into a blur of trees, bask in the revelation that Halloween brings forth all of the scary things at once. Little specs of white or yellow eyes peek at you from hidden bushes and the sounds of skittering bugs hiding from the colder air echo from the grass. Was something trying to grab at you or was there something on the sidewalk causing you to trip?

About the Picture

The scene above was created using Clip Studio Paint. The objective of the scene was to capture all of the cool colors of Halloween and accentuate the look of a brightly lit pumpkin by having it reflect off the tree. What do you see?

Five layers were used to create this piece. I used two flat color layers to help pull the tree away from the background of the scene. The tree, inks and colors, is on one layer and the background is on a separate layer. By doing this, I was able to use a blur filter on the background to make it more misty and mysterious without disturbing the look of the tree.  I really wanted the tree to be the most distinct object  in the scene other than the pumpkin of course.

The glow layer amplified the light from the pumpkin and made it look brighter against the darker background. I didn’t put a lot of detail into pumpkin other than the face as a composition strategy to keep the primary focus on the tree.

Instead of using basic flat colors, I used many colored pencils and colored inks to create the color effects that I was seeking. I wanted the scene to look more of a painting than a regular digital image.

The Future

I hope you enjoy this scene as well as other scenes that I have at Jhuntgraphix.com.
In the months to follow, I want to focus on the “How” of my designs and not so much the “What”. This means more instructional posts and not just images themselves. I have a video on YouTube that you can watch here.

As always, I want to know what YOU want to see more of. What kind of content can I produce that is more useful to you? Does anyone like comics? I can do those too. Let me know.

I wish youHappy blogging!

The Halloween Tree

The Halloween Tree

Free Art Available!

Free art available! I am celebrating my newly published book on Amazon by giving away some FREE original art filesThe files are available in Photoshop and Clip Studio Paint formats. Why am I giving them away you might ask? The premise of the book is all about how to create new and different concept art designs from initial ideas to the finished piece. By giving away some companion art, I am hopefully inspiring and visually assisting you to create your own. All of the layers are available for editing in both formats. You can easily go in and reconstruct the designs however you want. Besides, who would turn down some free art?

 

[downloads ids =”2256,2252″]

 

Ghost Collection

New This Week at Society 6 Ghost Collection

New this week to the JHUNTGRAPHIX Society6 shop is the Ghost Collection just in time for Halloween. The Ghost Collection is another Halloween themed product to enhance your seasonal style or just show off to your friends.  The design work is all original and digitally designed using Clip Studio Paint. The design has three layers with an emphasis on inking. The black and white spaces were carefully balanced out to support an open composition while also defining the look of the Ghost Collection.

Ghosts in the Night

Halloween ghosts fly through the cold air on trick or treat night passing through buildings or lingering in graveyards. These are the conscious embodiments of lives that were taken too soon or were lost during the passing of time. Always present and wanting to interact with you but hidden from the naked eye except to only a gifted few. You can see a faint glow off in the distance and may even here a slight sound or too. There may be sudden movements from the corner of your eye that you might not clearly see. You might get a tap on the shoulder that you dismiss as chill. Did you see an extra shadow on the ground peering up from behind when you are walking alone? All of these are indicators that there is a presence near that you were not expecting.

This design will be available with all of the other Halloween designs I am currently offering at my JHUNTGRAPHIX store. If you haven’t ordered yours today, what are you waiting for?

Feedback

Do you like these themes? If so, please let me know. If you don’t like them, let me know that as well? What would you like the next Halloween design to be? I look forward to hearing from you.
Please enjoy the Ghost Collection and have a safe holiday season.

Hello everyone! Tonight I experimented with some of Clip Studio Paint’s animation capability. With a little trial and error, I was able to make the haunted look of this design even ...
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This was a picture that my daughter Rylie and I drew together while sitting outside at the beach one day. She started with a very loose pencil sketch of her idea and ...

Another Clip Studio Paint Image created from multiple layering and blending. This started out as a concept for a forest but I decided to make it a bit more dense and dark and add a magical glow.

As with most of my styles of digital art, it is not a typical process. Most layering consists of each element existing on its own layer. As an example, a pencil layer followed by an inks layer, followed by a flats layer and so on and so on. In my work I add flats directly on top of my inks and mentally I separate more by graphic element than by construction element.

If this was for a client, I would have used a more traditional approach. Nothing worse than a client asking for an adjustment in an element that exists in multiple layers. It would be a hunt to find the layers that need to be changed, change them, and then hope you didn’t change something else in the process.

As fore me and this piece, my brain works a little differently. I like to flow back and forth between layers….and since I am my biggest critic here, the only person I have to please is myself.

Have a great night!

This is an image design I put together recently which can be easily applied for T-Shirts and or other options. This was created using Clip Studio Paint with a multilayer process. ...